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𝓦𝓻𝓲𝓽𝓲𝓷𝓰 𝓯𝓮𝓪𝓽𝓾𝓻𝓮𝓭 𝓲𝓷 𝓟𝓵𝓪𝓼𝓽𝓮𝓻 𝓜𝓪𝓰𝓪𝔃𝓲𝓷𝓮, 𝓟𝓸𝓵𝔂𝓮𝓼𝓽𝓮𝓻, 𝓝𝓡 𝓜𝓪𝓰𝓪𝔃𝓲𝓷𝓮 𝓪𝓷𝓭 𝓶𝓸𝓻𝓮
The glamour and the glitch: inside Hannah Murray’s ‘Charm’ at Ginny on Frederick
Non Threatening Boys*: The downfall of the dreamboat actor
Glitch art, digital decay and why TikTok is celebrating imperfect technology
The rise of ‘ugly’ art: “I think the internet has deeply, spiritually poisoned us”
God in the machine: decoding the art of Divine Machinery
What’s it like to live in an art gallery?
You can’t juice a dry fruit: Sylvie Fleury curates Matisse
Gabriel Moses on a life shaped by women
Tau Lewis: “Sometimes dark places are perfect”
Spiralling with Alexandra Metcalf
Lorena Lohr and the motel myth
Li Hei Di: “I become more insane at night – I think everyone does”
Sergey Kononov doesn’t like to be rushed
Emma Prempeh wants you to feel what you can’t touch
Raphaela Simon’s phantoms of pain
Is print still dead? Brooklyn Museum zines show says no
Orfeo Tagiuri on etching love’s delicate dance
How punk was pictured by photographer Caroline Coon
Get over tit! New show busts the great boob taboo
Thirsty Thursday on the art gallery circuit: “Lollage is power”
Thirsty Thursday: “What if we kissed in the Pret X Emalin Gallery smoking area?”
Interval Gallery is here to break art world bad habits
Kristy Chan: “Painting feels like an endless stew”
Donna Huddleston’s next act
Paloma Varga Weisz on making art like nobody’s watching
Alexis Hunter has ten seconds to get your attention
Paulina Olowska’s feminist take on folklore
Excess, paradox and instability at the Bourse de Commerce